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Patterns of the Ancients: Fijian Tapa cloth
A traditional art form meets
20th Century economics

by Mara Jevera Fulmer
Assistant Professor/Program Coordinator in Graphic Design
C.S. Mott Community College, Flint, MI
(Formerly Art Director for The University of the South Pacific, Suva, Fiji)


page 4

Cannibals and Converts

All was not paradise in these times. The Fijian islands were avoided by many due to warnings by the Tongans to the first white travelers in the area of fierce warriors who ate the human flesh of their enemies in order to capture their mana or soul. Captain Bligh, one of the first to navigate these waters in the early 1700s under unfortunate circumstances when he was cast adrift from the H.M.S. Bounty by a group of mutineers, was left to find cover from the terrors of the Cannibal Isles as they'd chase them in their huge outrigger canoes called druas for which the Fijians had become famous.

The islands had often been missed completely by European travellers who saw only low heavy mists surround their boats through the treacherous coral reefs. Many stories tell of early contact often met with an horrendous end with incredible tortures and death when the fierce Fijian warriors would set upon the unwary travellers who had failed to heed the warnings. Cannibalism, bloodshed and death were very much a part of stories of everyday life in the early days of European contact.

But even then, the spiritual powers of masi was recognized. The priest, or bete as he was known, was always consulted before the warriors went into battle in order for them to determine the possible outcomes. He would sit in the centre of the dark bure kalou, a very tall narrow structure with a roof that seemed to reach up to the heavens. And then "trembling, siezed in a fit and with eyes rolling, he would invoke the powers of the gods whose 'message' reached him via the trail of white masi" strip that was strung from the high peak of the roof down to the ground near where the bete sat.2

The masi was recognized as possessing power or the ability to carry the strength of the gods. Worn as a turban by priests, or the koroi warrior dressed in new masi to celebrate his initiation with his first kill, the masi, either pure in feathery white or painted in intricate patterns, held an undisputed power that was utilized in the spiritual life of Fijians. It is that same power one feels today in the pieces the craftswomen make for non-commercial, or strictly ceremonial use.

Such was the power of mystery of the Fijian Islands that the Christian missionaries found necessary to overcome, to tame, and to save in the name of their Lord, Jesus Christ. Now with nearly all Fijians converted to Christianity, in one form or another, the ancestral spirit comes forth only under the misty veil of Christianity. And, even in the patterns of tapa that have survived from early days of missionary contact, one cannot help but look at them and wonder about the influence of early American patchwork quilts, an embroidered doily, or the lace trim from the dresses of missionary wives.

Much like the Celtic lore of the Lady of the Lake was absorbed into the description of the Virgin Mary, the spirit gods of pre-missionary Fiji still fulfill their needs in the undercurrent of everyday Fijian life and ritual. But even now, one cannot help but feel the power of the ancestral spirits as the mists once again veil the islands from sight many days of the year.

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This article was originally presented in October 1994, Syracuse University, Syracuse, NY.Revised May 1998.
Copyright 1999 Mara Jevera Fulmer. All Rights Reserved.

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